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Like the ALL CAPS! Comix page on Facebook, get a free drawing

by Mark on July 14, 2011 at 3:48 pm
Posted In: News

Here’s the deal:

Step 1 - go to the Facebook page for ALL CAPS! Comix

Step 2 – click the button that says “Like”

Step 3 – Wait for me to send you a message on Facebook asking for your address.  I know this sounds scammy, but DON’T WORRY!  I promise I’m not a shady guy!  You’ll just have to take my word for it, though.

Step 4 – Once you send me your address, I will create a one-of-a-kind, custom drawing for you on high quality 2.5×3.5″ bristol board using archival quality ink and mail it to you via the good old Yoo Ess Pee Ess (United States Postal Service, yo).  I’ll also be posting scans of the drawings on the site for the rest of the world to see, but you’ll be the only person to hold the original.

The great thing about the ALL CAPS! Facebook page is that you’ll get updates as soon as I post new comics and reviews.  I should also be honest and admit that it’s also a shameless attempt at self-promotion, but hey – you’ll get a free art!  I mean, fuck!  ART!  I’ll pay money to mail that shit to your god damn door!

Sweet tapdancing mother of CHRIST!  I’m already excited.  So get clickin’!

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Webcomics Wednesday: The Adventures of Dr. McNinja

by Mark on July 13, 2011 at 6:47 pm
Posted In: News

The Adventures of Dr. McNinja is a weekly story-driven webcomic based on the continuing adventures of (stay with me here) a Ninja of Irish ancestry who is also a practicing doctor.  The comic is a running parody of the kind of ridiculous, convoluted stories and overly kinetic, splash-page focused artwork of the most ludicrous popular superhero comics.  Scenes and situations in the comic often seem like they were imagined by an eight-year-old boy whose body is simultaneously inhabited by the spirits of Michael Bay and Rob Liefeld (who we’ll pretend are dead for the sake of this metaphor) but with enough common sense and humor to take none of his work seriously.

In spite of how completely ridiculous this series tries to be (and is), you’ll find that there is some actual story here.  We’re all aware of the glut of shitty movie parodies that do little more than loosely string together one cumbersome pop-culture reference after another.  While Dr. McNinja sometimes veers close to this extreme, it holds together because the author, Christopher Hastings, has a strong sense of continuity.  No little detail is forgotten, and seemingly minor and nonsensical events (like Dr. McNinja catching a fleeting glimpse of himself as a child while chasing King Radical through a cave) are consistently woven in and out of story arcs to keep the attentive reader paying attention.  Occasionally the story is even surprisingly smart.

Of course, being an action comic, dynamic visuals are extremely important.  The artwork in early episodes of Dr. McNinja is inconsistent in regards to the quality of line work, anatomy, gesture, perspective, and facial expressions. Layouts in the earlier storylines also tend to be a bit muddled.  As the series has progresses, though, you’ll note marked improvements in the overall visual style.  The first several episodes (up to “Revenge of the Hundred Dead Ninja”) feature simple black and white linework with no shading.  From that point on, the artwork becomes more complex, with increased attention to dynamic shading; however, there’s still some inconsistency.  “Monster Mart” is the first episode of the series to be fully colorized and also seems to mark a jump in the quality and consistency of the artwork, although there are notable and gradual improvements that you can see in each successive episode.  In each of the colorized episodes, you’ll find that the quality of the artwork matches anything you’d find in a mainstream comic production.  If you’re a whore for shiny artwork, I won’t blame you entirely for starting with “Monster Mart,” but you’ll be missing out on some interesting (and occasionally important) story elements that might confuse you later in the series.

If you’re a fan of comics and are familiar with Internet “in” jokes, then you’ll find a lot to love in Dr. McNinja.  Even if you’re not into those things, you’ll still probably appreciate the almost Pythonesque level of absurdity and the overblown action of the series.  Either way, I recommend you give Dr. McNinja a moment of your time – he’ll kick your ass AND cure what ails you.

└ Tags: Christopher Hastings, Dr. McNinja, Review, Webcomics Wednesday
”Comments

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Webcomics Wednesday (on Thursday): Chester 5000 XYV

by Mark on July 7, 2011 at 5:34 pm
Posted In: News

First, as you can see from the title, this review is NOT being posted on Wednesday.  Our Internet access at home has been down since Tuesday evening, so I’m writing this from a coffee shop near the house.

This week, I want to cover a comic that made me blush when I first started reading it.  Chester 5000 XYV is an erotic Victorian-era steampunk comic lovingly drawn by Jess Fink, whose webcomic work also includes the autobiographical “Kid with Experience.”  Chester 5000 XYV was picked up for publication this year by Top Shelf comics, and is available now, once again proving that those talented few who pay their dues in webcomics CAN break out into the print comic industry as well.

The star in this strip is the artwork, which is fluid and evocative.  There’s little to no dialogue in the series, with communication between characters taking place entirely through body language and… well… sex.  In spite of the lack of text, Chester contains some wonderfully intimate and insightful portrayals of Western Culture’s hang ups about sexuality.  In the first few pages, we meet a man who fears for his relationship due to his inability to completely satisfy his lover’s sexual appetite.  Using his skill in robotics, he builds a toy for her (the eponymous Chester), a robot who takes on a life of his own and inevitably falls in love with the woman he’s been built to please.  What follows is a tale of love, jealousy, and redemption that could be read as an allegory for the apparently common male fear of being replaced by sex toys (common according to Google, at least, although I’ve never experienced it).

One of the things that I find so enjoyable about Chester 5000 XYV is that it provides a very liberated, feminine perspective on sex.  In fact, even though the strip is named after the male robot character, the real protagonists here are the women who, contrary to what popular American culture still seems to tell us is acceptable, take the lead in the sexual relationships established here.  However, these are not the stereotypical “dominant” women most often portrayed in the media – manipulating and emasculating the men around them – they are simply women who know what they want, physically and emotionally, and aren’t afraid or ashamed to pursue those desires.  Sadly, the erotica and pornography that is most commonly available (even the stuff supposedly intended for women) portrays quite the opposite, often justifying and even glorifying sexual assault, with leering, dominant alpha-male figures imposing their sexual will on submissive women, who don’t even know that they want sex until they’re forced into it.  Fink actually seems to respond to this in a hilarious role reversal, featuring “Chesty 5000 XYV,” the overly aggressive female counterpart to the suave and sensitive Chester.

Having finished the first storyline, Fink is now in the middle of a new tale set in the same world.  While it’s hard to say where she’ll take us this time, based on what she’s given us so far, I can only assume it will be an enlightening and hopefully further liberating journey of sexual discovery.  If you’re in the mood for something sexy that won’t make you feel dirty, I highly recommend this comic (and I’m in good company it seems, as fellow Top Shelf artist Alan Moore is also a fan of Fink’s work).

PS – I’ve left the more graphic scenes from Chester 5000 XYV out of my review, not as an act of censorship, but because I’d much rather you see the really sexy stuff in context!  Go check it out, yo!

└ Tags: Chester 5000 XYV, erotica, Jess Fink, Kid with Experience, pornography, Review, Steampunk, Top Shelf Productions, Victorian, Webcomics Wednesday
”Comments

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Webcomics Wednesday: The City

by Mark on June 29, 2011 at 10:52 pm
Posted In: News

The American government is comprised of weak-willed eunuchs, ignorant sociopaths, sexual deviants and jackbooted fascists.  Or at least, this is the government that Derf, the artist behind the long-running strip “The City,” portrays for us.  Published online every Monday, “The City” is a straightforward, no-words-minced comic about American politics.

It’s not just politicians that get skewered, though – Derf also attacks the media, the military, religious institutions, and the populace at large.  In fact, no one escapes “The City” unscathed as people of all ideologies and from all walks of life are dissected by Derf’s satirical scalpel.

In spite of this, there is an element of tragedy in Derf’s depiction of the American populace.  At worst, they’re selfish and willfully ignorant, intoxicated by their gadgets, TV shows, and fast food; however, they sit at the bottom of the proverbial dung heap of contemporary American culture, while it is the leaders who shoulder the most blame: the people who craft the rhetoric and lock the populace in a pattern of ignorance.  There’s no complex conspiracy at work here, though – it’s through the machinations and manipulation of a few power hungry individuals that the United States continues on a downward spiral of ignorance, intolerance, and financial ruin.

To compliment his bold political commentary, Derf’s art style is confident featuring bold, thick line work and harsh angles.  When he uses color (as he has consistently in recent years), he tends toward clean colors with little to no shading.  His art is anything but simplistic, though, as he contrasts his straightforward style with fairly complex visual compositions.

If I were to offer any criticism of “The City,” it would be to say that in his lampooning of the American public at large, Derf is occasionally guilty of the same over-generalizations that can potentially lead to ignorance and bigotry.  That being said, it is precisely the biting nature of his satire (something that is fairly rare in left-leaning political cartooning) that makes it an important read.  I would be remiss not to acknowledge that Derf’s work has had an indelible influence on my own.

While you peruse “The City,” I would encourage you to take a look at the rest of Derf’s work.  “Trashed” is a fantastic bit of semi-autobiographical story-telling from a rare perspective, “Punk Rock & Trailer Parks” is an insightful period-piece about growing up punk in working-class America, and “My Friend Dahmer” is a haunting portrait of the formative years of one of America’s most notorious serial killers.  All are well worth a thorough read.

└ Tags: Derf, Jeffrey Dahmer, My Friend Dahmer, politics, Punk Rock & Trailer Parks, Review, satire, The City, Trashed, Webcomics Wednesday
”Comments

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Webcomics Wednesday: Perry Bible Fellowship

by Mark on June 22, 2011 at 1:00 am
Posted In: News

I’ll kick off this weekly review column with a comic that is currently in publishing limbo: Perry Bible Fellowship.  The author, Nicholas Gurewitch, has made it clear in interviews that he doesn’t want to be typecast as a cartoonist due to his ambitions to work in other media.  He’s expressed interest in filmmaking in his recent interviews, and his website includes links to some short videos that he’s written.  The few of Gurewitch’s videos that I’ve seen were funny, but nowhere near as tightly written as his strips.

That being said, Perry Bible Fellowship is quite possibly one of the funniest and oddest strips you’ll find on the web.  The title, a possible reference to the strip’s past Sunday publication schedule, has no relation to the contents of the strip itself, except as an example of the kind of non-sequitur humor in which Gurewitch specializes.  Fans of “The Far Side” will recognize his style almost immediately.

What separates PBF from “The Far Side” and its many poor imitators is that Gurewitch doesn’t shy away from dark, violent, overtly sexual, and sometimes borderline nihilistic themes.  This contrasts sharply with the vibrant, brightly colored, often cutesy art style in which most of the strips are drawn.  It also contrasts with the attitudes of the characters themselves, who often gleefully and ignorantly skip along to their inevitable dooms.

As with any comic worth reading, it’s hard to summarize PBF’s draw in a few paragraphs.  Gurewitch often experiments with a variety of art styles and themes, occasionally parodies other well-known strips (his take on “Family Circus” is particularly disturbing and funny), and generally does well at keeping things unpredictable.

Sadly, he’s removed some of his comics from his website in the last year as his most recent anthology (The Perry Bible Fellowship Almanack) is now available.  According to the website, this was done “to make the book more special.”  In spite of that, it seems there have been at least two new comics published to the website during the last year (or at least since my last visit to the site), although it’s hard to tell since there are no dates and very little explanation for much of anything provided on the site.

In summary, there’s a lot to like here if you’re into dark, absurd humor.  The jokes rarely miss their mark, and the punchline is often not what you would expect.  On the other hand, don’t expect to see more PBF any time soon.  Hopefully we’ll be seeing more of Gurewitch in other media, but for the time being, Perry Bible Fellowship remains his magnum opus.

└ Tags: Family Circus, Nicholas Gurewitch, PBF, Perry Bible Fellowship, Perry Bible Fellowship Almanack, Review, The Far Side, Webcomics Wednesday
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